Drawings-gallery
La Orana Maria
1891
L'enfant endormi
1884
Jeunes baigneurs
breton 1888
les Alyscamps
1888
Here are the first steps of my work as a messenger. After the first discovery of a hidden face, I thought if the Master could have left a revolutionary technique to create once, and there will, without a doubt, other traces of imprints. The hardest part of my job was to find, at the very beginning, an attaching link to what I dared to claim. The strong evidence that Gauguin was kind enough to let us see are without a doubt, in my opinion, the “mustache" and the "eyes" left here and there in the painted decor of his canvases. I discovered more than 20 secret self-portraits that I have defined by the set of points that will help you to follow what I call “the secret path of Gauguin”. These points are positioned in each case of figure on specific lines of the painted canvas, forming a double entity.

Metropolitan museum of Art, NY
Musée d'Orsay, Paris
Vieilles dames de Arles,
1888
Art Institute , Chicago
by Claude Olivier-Dubuc
Close your eyes partially to mask part of your vision (you must lose
the fine details on the canvas). A world will open up to you!
la lune et la terre1893
MOMA, New York
La moisson blonde, 1889


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